Ol' Jade Jaws Jigsaw Puzzle

I found yet another Hulk puzzle at a local antique shop last week, so I'm continuing the St. Patty's Day props with this, ol' Jade Jaws saving a school bus full of kids. Total awesomeness.

Hulk Puzzle Smashes 600th Post

I posted this pic of the Hulk puzzle my girlfriend and I assembled last night as a bonus for the day, but when I realized this morning that it was my 600th post, I decided to give the ol' Jade Jigsaw his own entry. After all, that better way to commemorate 600 posts intended to deconstruct comics than by putting something together?

Hulk Puzzle

Every other Saturday is half-off day at my local Goodwill, and I scored this Hulk puzzle from '76 for a dollar. Good thing -- I don't know if I would've shelled out two.

Hulk is Halloween Smash! (or, How the Superheroes Stole Halloween)

As I've often referenced (but haven't exploited . . . yet), my day job involves working with kids in an after school program (well, I do blog about it sometimes), and at the end of every week in October, my site has hosted Freaky Film Fridays to celebrate and countdown to Halloween. We've shown The Nightmare Before Christmas and Beetlejuice, but this week we're straying from the Tim Burton catalog and showing the recently released to DVD The Incredible Hulk. Now, some may say that I'm using these cinematic events to inflict my fanboyish lifestyle onto these children, some of whom (gasp) may not like superheroes, but I dare say that The Incredible Hulk is the perfect Halloween flick, and that its release the week before everybody's favorite hallowed holiday is indicative of an entire year influenced by comics!

First of all, the Hulk is a monster, not unlike the classic movie monsters that have come to define Halloween decor for decades. Dracula, Frankenstein's monster, the Mummy, and the Wolf-Man were all silver screen screamfests before they became 99 Cent Store cardboard cutouts, and, in his own way, the Hulk's popularity is a direct result of that Universal monsters motif. Even ol' Jade Jaws' most definitive character traits are akin to these freaky forefathers; from Dracula's nocturnal nature (the gray Hulk only came out at night, remember?) to the Frankenstein monster's conflicts with humanity, from the Mummy's mysterious strength to the Wolf-man's dueling duality. Stan Lee has cited Dr. Jekyll and Mr. Hyde as inspiration for his gamma-radiated anti-hero, but if Thunderbolt Ross didn't have such easy access to a military arsenal, he'd just as easily wave a lighted torch in the Hulk's face. And I think the end result would be the same.

Of course, the Hulk isn't the bad guy, and more so than his strength, his reflection of humanity's anger unleashed is the most frightening aspect of his story. Fortunately, Edward Norton's Hulk quells this fear by focusing his rage, the closest thing to a happy ending Mr. Purple Pants can ever have. No, it's the Abomination that should make geeks' girlfriends clutch their beaus' arms tighter, and now more so than his unleashed anger, the Emil Blonsky's alter ego epitomizes the way to go for future conflicts in comic book movies. Consider the most commercially successful bad guys of the past year: Venom, the Iron Monger in Iron Man, and the Joker in The Dark Knight. All of these villains are proverbial bizarros* for their respective heroes, dark reflections of the heroes' id. (Dr. Doom would fall under this category, too, but I said "commercially successful.") While the Joker's new-found influence is attributed to Ledger's unexpectedly intense performance and unfortunately tragic death, his depiction as an agent of chaos rather than a mutated mobster or mere "clown prince" is in stark contrast to Batman's need for order and justice. What's worse, Alan Moore's adage from The Killing Joke still holds true: there could go I, in the face of one bad day. Good thing this is the stuff of fiction. And by that I mean the idea of a geek having a girlfriend, of course.


A co-worker and I making fools of ourselves for the kids this summer, in homemade gear, before the Clown Prince of Crime and ol' Jade Jaws were coveted costumes! It took weeks for that paint to come off.

Finally, as I've said before, this summer was the summer to be a geek, with the likes of Iron Man, Indiana Jones, Speed Racer, the Hulk, Batman, and Agents Mulder and Scully all finding their way to the box office, and that's not to mention Wanted and the flicks I chose not to see! The second best thing to a summer's worth of releases like that is the month they all finally come to video/DVD/Blu-ray, which in this case is also the month kids of all ages can actually dress up like their favorite characters with little fear of consequence. Is it no surprise that Ledger's Joker is the most popular Halloween costume for boys this year, with Iron Man, Batman, and Dr. Jones also making the list? Interestingly, this phenomenon also speaks of the importance of an actor's likeness in a role, a possible backlash to the recent Terrence Howard/Don Cheadle debacle, in the unlikely event that some kids out there wanted to trick or treat as Jim Rhodes . . . "This is a trick or treating exercise," they could say.



A recent visit to Hot Topic reveals how cool it is to dress up like a superhero. Spidey's mask, Iron Man's helmet, Wolverine's claws, and . . . wait! Pause the DVD! Is that Cap's shield? How did they sneak that in there?

Bottom line? Superheroes aren't the stuff of pop culture background noise anymore. When I was a kid (I know, here we go), Superman and Spider-man costumes were simply the norm, not necessarily tied to the Christopher Reeve films of Saturday morning cartoons. They were simply always available. (However, don't get me started on the year my younger brother opted for Bravestarr's horse. He's still trying to live that down.) Now, Spidey, Iron Man, the Hulk, and their arch-nemeses are front and center. Even if I was showing The Incredible Hulk with some ulterior motive, in some feeble attempt to "fanboy-ize" the children in my after school program so I can write off action figure purchases as "youth development research" or something . . . my old heroes don't need my help. Today's kids know and love them either way. It's when they start schooling me in comic book canon, with questions like, "Why wasn't Rick Jones in the Hulk movie? Wasn't Bruce Banner saving him from a bomb?" Now, that's scary.

My Halloween costume, circa 1984.

*This trend proves that the next Superman flick should stray from the tired old Lex Luthor conflict and give us a slugfest with the original bizarro . . . Bizarro! Think about it, Hollywood! Pay one actor to play the good guy and the bad guy! Huh? Sigh, they never call me.

I am Iron Man. You are Iron Man. We're ALL Iron Man! -- Iron Man DVD Release

After I saw Jon Faverau's teaser for Iron Man at the 2007 Comic Con, I told anyone that would listen to brace themselves for the next big superhero trend, the likes of which we hadn't seen since the first Spider-man film, despite the numerous superhero movies that have been released since. Something about the sheer spirit of that trailer, which managed to capture the glamor of Tony Stark's wealth, the horror of his capture and escape, then the raw recklessness and fun that comes with a brand new toy, seemed so transcendent from its comic book origins that I knew even the cool kids would clamor for an Iron Man backpack in August, an Iron Man costume for Halloween, and an Iron Man action figure for Christmas. So distracted was I by the minutia of that moment that I failed to recognize the bigger picture: Iron Man was poised to kick off one of the most fulfilling summers in geek history.

Today, Iron Man is poised again to launch a similarly fulfilling season of DVD releases -- and, post-Dark Knight fervor, is ready to reclaim its mantle as the best superhero movie ever made. Yes. I'm going on the record. Batman is by far my favorite superhero character, but Iron Man made for a much more enjoyable film. Consider the following accomplishments.

Firstly, and perhaps most importantly, Jon Favereau and Robert Downey, Jr. made Iron Man a household name. Prior to the movie's release in May, Iron Man was at best a B-list superhero, just a supporting fixture in the Marvel Universe. Hear me out, here: like Obama, I'm talking about Main Street -- Mr. and Mrs. Joe Blow. Prior to May, ask the average American to name five superheroes, and chances are you'll get the same five answers: Superman, Batman, Robin, Wonder Woman, and Spider-man. The Hulk and Aquaman are possible runners-up, as all seven of these characters have appeared in various broadcast incarnations. (Remember, Aquaman was a headliner in Super Friends, and I think his name has a certain mainstream resonance people fondly remember.) But Iron Man? No, that shortlived '90s cartoon doesn't count, not in the shadow of the more tenacious X-Men series. The Armored Avenger was little more than a hood ornament in the grand scheme of America's general consensus about superheroes.

Now? Well, I'm no Nostradamus, but kids are wearing Iron Man backpacks. Kids are buying Iron Man Halloween costumes. And I reckon come Christmas those Iron Man action figures are going to fly off of Target toy aisles all over again. If the film's appeal was just its special effects, I wouldn't deem it worth much further analysis -- besides, Indiana Jones and the Kingdom of the Crystal Skull cornered the market for special effects for special effects' sake this summer. No, on a much more challenging level, Tony Stark gave America a Bruce Wayne it can believe in. Christian Bale's Bruce Wayne is Paris Hilton, definitely a compelling creature, but a celebrity by blood and wealth only. Without his training and "wonderful toys," Wayne is dismissive TMZ fodder. On the other hand, Robert Downey, Jr.'s Tony Stark has earned his arrogance and fame through his brilliance and ingenuity. True, the son of a successful corporate mongul, but Favereau gives us Ultimate Bill Gates in Stark, or Richard Branson sans the creepy grin. Stark is all business, but we'd love to play at being him.

Also, unlike DC's conscious disconnect from the real world, the Marvel mentality has attempted to convince its audience that their world is ours, too. Spider-man swings through the widely recognized New York skyline, in contrast to the ambiguous (and ambitious) Metropolis or Gotham City. Is any awkward teenager just a radioactive spider bite away from saving the day? On a much more grim level, is any billionaire industrialist just a tragic trip to Afghanistan away from creating the most interactive weapon ever invented? Yes, while Spidey gave us New York, and Daredevil Hell's Kitchen, Iron Man briefly but poignantly gives us the Middle freakin' East, for once making the audience subconsciously wish that the terrors of the superhero world weren't so much like ours. Now, Heath Ledger's Joker was truly frightening . . . but how far are we from the the Clown Prince of Crime compared to the Mandarin's Ten Rings terrorist circle?

Finally, Iron Man has begun to build an entire universe, effectively offering the first beloved crossover between his movie and the almost-as-awesome Incredible Hulk a month later. "The Avengers Initiative?" Please. You'd think Samuel L. Jackson as Nick Fury was working an erotic phone service, the way the audience geek-gasmed during that post-credits scene at the first midnight showing, then again when Stark joins Colonel Ross at the end of Hulk. Now, some superhero flicks have dared to reference their broader contexts before; Val Kilmer's Bruce Wayne mentions Metropolis in Batman Forever, and J. Jonah Jameson discounts Dr. Strange as a possible alias for Doc Ock because it's "already taken," but this . . . An Avengers film has been promoted from the stuff of Internet rumor to now eagerly anticipated reality. Remember when Marvel's properties were so widespread among film distributors that such a crossover was deemed impossible? DC's stable has always been under the Warner Brothers umbrella, and the best they've given us in a defunct Batman vs. Superman billboard in I Am Legend. But I digress.

(To be fair, DC has certainly cornered the TV market, from Batman: The Animated Series to Smallville. Still, who doesn't take our now weekly offerings of a young Superman for granted, particularly in the shadow of feature film hype? How many fans prefer that live action Justice League to the unlimited animated incarnation of yesteryear? That's another entry altogether!)

From a B-list cartoon character to a movie franchise's founding father, Iron Man certainly has come a long way this year. The question is, will he take the relatively shorter trip from the sales rack to your DVD collection? Heck, some special editions come with an Iron Man mask, asserting that devilish maxim applicable to all men's men like Tony Stark: the guys want to be him, and the girls want to be with him. Like the origin of Iron Man itself, I guess this DVD set proves that anything is possible if you put your mind to it.